{"id":890,"date":"2012-01-26T09:29:24","date_gmt":"2012-01-26T08:29:24","guid":{"rendered":"http:\/\/www.radiolarium.net\/movies\/?p=890"},"modified":"2013-01-16T21:14:05","modified_gmt":"2013-01-16T20:14:05","slug":"blow-up","status":"publish","type":"post","link":"http:\/\/www.radiolarium.net\/movies\/2012\/01\/blow-up\/","title":{"rendered":"Blow Up"},"content":{"rendered":"<\/abbr>\n
\n

Bei der allj\u00e4hrlichen Verleihung der Academy Awards, die ja nun auch schon bald wieder ansteht, gibt es die sch\u00f6ne Tradition der Dankesrede, die, je nach mentaler Verfassung des oder der Geehrten, ger\u00fchrt<\/a>, verheult<\/a> oder zudringlich<\/a> ausfallen, manchmal Ans\u00e4tze von Hysterie<\/a>, Gr\u00f6\u00dfenwahn<\/a> oder auch Erkenntnis<\/a> zeigen und gelegentlich mit intimen Outings<\/a>, Liebesschw\u00fcren<\/a> oder politischen Statements<\/a> angereichert werden. Als Michelangelo Antonio<\/a> 1995 seinen Ehren-Oscar entgegen nahm, machte er es kurz: \u201eGrazie.\u201c<\/p>\n

Um einiges ausf\u00fchrlicher konnte Antonioni hingegen werden, wenn er \u00fcber seine Filme sprach<\/a>:<\/p>\n

\u201eI always try to follow a certain pattern and work without thinking of the audience. It is not that I dislike my audience; I am not an intellectual, but I believe that films should not be made to entertain the audience, earn money or achieve popularity. I think that films should be made to be as good as possible. And it seems to me that this is the best way to work and to be trustworthy in the world of cinema.\u201c<\/p><\/blockquote>\n

Oder:<\/p>\n

\u201eWhat happens to the characters in my films is not important. I could have them do one thing, or another thing. People think that the events in a film are what the film is about. Not true. A film is about the characters, about changes going on inside them. The experiences they have during the course of the film are simply things that ‘happen to happen’ to characters who do not begin and end when the film does. In Blowup (1966)<\/a>, a lot of energy was wasted by people trying to decide if there was a murder, or wasn’t a murder, when in fact the film was not about a murder but about a photographer. Those pictures he took were simply one of the things that happened to him, but anything could have happened to him: he was a person living in that world, possessing that personality.\u201c<\/p><\/blockquote>\n

Und:<\/p>\n

\u201eBy developing with enlargers things emerge that we probably don’t see with the naked eye. The photographer in Blowup (1966), who is not a philosopher, wants to see things closer up. But it so happens that by enlarging too far, the object itself decomposes and disappears. Hence there’s a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blowup.\u201c<\/p><\/blockquote>\n

Noch sehr viel wortreicher kann es bisweilen werden, wenn andere \u00fcber Antonionis Filme reden oder schreiben, weshalb hier nur noch rasch erw\u00e4hnt sei, dass die Musik von Herbie Hancock stammt, David Hemmings, Vanessa Redgrave und Jane Birkin hier ihre ersten nennenswerten Rollen spielen, w\u00e4hrend die damals schon recht bekannte Veruschka von Lehndorff sich einfach selbst darstellt, dass die Yardbirds einen Auftritt mit Jimmy Page und Jeff Beck vor lethargisch-unbewegtem Publikum haben und dass der Film bei professionellen wie Amateurfotografen einen Nikon F-Hype ausl\u00f6ste.<\/p>\n

(Blow Up, Gro\u00dfbritannien 1966; Regie: Michelangelo Antonioni.)<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Bei der allj\u00e4hrlichen Verleihung der Academy Awards, die ja nun auch schon bald wieder ansteht, gibt es die sch\u00f6ne Tradition der Dankesrede, die, je nach mentaler Verfassung des oder der Geehrten, ger\u00fchrt, verheult oder zudringlich ausfallen, manchmal Ans\u00e4tze von Hysterie, Gr\u00f6\u00dfenwahn oder auch Erkenntnis zeigen und gelegentlich mit intimen Outings, Liebesschw\u00fcren oder politischen Statements angereichert […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,10,19,40],"tags":[75,33,55],"class_list":["post-890","post","type-post","status-publish","format-standard","hentry","category-eigensinnige-frauen","category-expertenwissen","category-gutgekleidete-manner","category-musik-film","tag-amos-vogel","tag-grosbritannien","tag-michelangelo-antonioni"],"_links":{"self":[{"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/posts\/890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/comments?post=890"}],"version-history":[{"count":16,"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/posts\/890\/revisions"}],"predecessor-version":[{"id":1925,"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/posts\/890\/revisions\/1925"}],"wp:attachment":[{"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/media?parent=890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/categories?post=890"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.radiolarium.net\/movies\/wp-json\/wp\/v2\/tags?post=890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}